Editorial Board
Moa Cedercrona, Niels Engström, Andrea Larsson-Lithander, and Cilia Wagén
Supervising Editor
Silvia Thomackenstein
Institutional Editorial Advisors
Joakim Hunger-Carlson and Camilla Berggren Lundell
Proofreader
Anna Lindberg and Silvia Thomackenstein
Graphic Designer
Jonas Hemlin
The texts in this publication were written by the graduating students of the Master’s Programme in Fine Art, developed during a writing workshop led by Natasha Marie Llorens, Professor of Art Theory, in collaboration with Orit Gat, external editor.
Although the programme is conducted in both Swedish and English, the workshop took place in English. As such, all texts are presented in their original English versions. In light of the number of contributors and the scope of the publication, Swedish translations were not produced.
Paper
Inside: Arctic Volume White 115 g/m²
Cover: Ensocoat 2S 240 g/m²
Prepress and Print
Italgraf Media AB
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, or otherwise—without prior written permission from the publisher, except for brief quotations in reviews or critical texts.
Copyright
Mejan Press and the respective editors, authors, and photographers.
Disclaimer
The views expressed in this publication are those of the authors and do not necessarily reflect those of the publisher.
All information and credits were accurate at the time of printing and are subject to change.
Editorial Deadline
23 April 2025
Publisher
Mejan Press, Flaggmansvägen 1, 111 49 Stockholm
ISBN
978-91-89490-22-2
This publication accompanies the Graduation Show of the Royal Institute of Art, held at the Royal Swedish Academy of Fine Arts from 23 May to 15 June 2025.
Exhibition Group
Jenny Olsson, Lecturer in Fine Art with a specialization in Printmaking; Johanna Gustafsson Fürst, Professor in Fine Art with a specialization in Sculpture; and Silvia Thomackenstein, Head of Exhibitions.
Exhibition Technician
Daniel Norrman
The exhibition was made possible in part through the patronage of Henric Ankarcrona and Joakim Geiger, with additional support from Göran Lagervalls stiftelse and others who wish to remain anonymous.
Acknowledgment
Warm thanks are extended to the Royal Institute of Art’s faculty, staff, and all those who contributed to the exhibitions and the education surrounding them. Particular appreciation goes to Sarah Heuberger for her precise and generous coordination behind the scenes; to Natasha Marie Llorens, whose commitment to the text seminar extended well beyond the formal scope of her teaching; and to Elisabeth Alsheimer Evenstedt, who leaves her role as Permanent Secretary this spring. Her steady and generous support on behalf of the Academy—especially in connection with the annual hosting of the graduation exhibitions—has been invaluable.
