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(decolonial) aestheSis

Known as “Järntorgsbrunnen”, the public fountain “De Fem Världsdelarna” at Järntorget in Gothenburg, is a marker of imperial memory and part of the European colonial archive. (Photo by Peter Nylund, 2022)
Known as “Järntorgsbrunnen”, the public fountain “De Fem Världsdelarna” at Järntorget in Gothenburg, is a marker of imperial memory and part of the European colonial archive. (Photo by Peter Nylund, 2022)

Peter Nylund
(decolonial) aestheSis

”What histories are hidden, forgotten, and untold in monuments? Investigating the Gothenburg city waterfront, I found traces in public monuments that led me to unravel a story about how Sweden managed to manufacture itself as a good colonizer, in order to both save face and set itself apart from its European counterparts in the mid-twentieth century.”

The performance lecture The French Plot, the Delaware Monument, and the making of the good colonizer, is the starting point for a city-walk unveiling how Gothenburg’s colonial history plays out in the present. In response to the city walk, young summer workers produced artworks for the exhibition Göteborg: Nu, Då, Snart

Read more here.

The fundamental pedagogical approach of the course Decolonizing Architecture is based on the articulation of  sitesconcepts, and peopleEach participant is asked to choose a particular site, understood as a site of action and a site of knowledge. Concepts emerging from the research site provide a grounded theoretical approach to the practice. 

During the spring semester Decolonizing Architecture shares the concepts that informed this year individual and collective research.