Further education in Architecture and Fine Art – Royal Institute of Art

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Education

The Royal Institute of Art’s courses in Architecture and Fine Art are aimed at professional artists and architects. These courses are at an advanced level and contain of a large component of research methodology. They are experimental, provide room for risk-taking, and utilize learning processes wherein the group dynamic is focal. The courses are designed for those who are interested in current issues in art and architecture in relation to political, historical and social themes.

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Foto från uppbyggnaden av Malmö Folkets Hus 1892

Tusen kulturhus

Caption: DAAR, Courtyard house for Campo Paradiso, 2022

Decolonizing Architecture: Al Masha – Rural Commons

OPI Lab Storefront, 2023. Photo: Jonas Dahlberg

Of Public Interest (OPI) Lab

Reconstructions

CR Cockerell, ”The Professor’s Dream”, 1848 © Royal Academy of Arts, London Credit line: (c) Royal Academy of Arts

Restaureringskonst: Eklekticism vid sekelskiftet 1900

Aldo Rossi, ”La città analoga”, 1976 © Eredi Aldo Rossi, courtesy Fondazione Aldo Rossi

Ombyggnadskultur: Arkitektur i omprövningens tid

Kraftverksbyggnad i Hammarforsen, Osvald Almqvist © Arkdes, public domain

Restaureringskurs: Fördjupningskurs

Foto Anton Hedberg, Borås tidning, 2017

Byggnadskonst: Post-acceleration

Decolonizing Architecture: Internal colonization and the countryside

Materialities; energies

OPI Lab participant 2021-22, Carole Douillard. Film still from Douillard’s Idir, 2018 (in collaboration with Babette Mangolte). © Carole Douillard - Babette Mangolte

Of Public Interest (OPI) Lab

Restaureringskonst fördjupningskurs: Katalysator

Restaureringskonst: Skönhet, hållbarhet och funktion

Decolonizing Architecture

Of Public Interest

Architectural Conservation: The Great Acceleration

Catalyst – Architectural conservation from object to process

Collective Practices II: Symbiotic Organizations

The Photographic Artist’s Book: Performing sustainability

Decolonizing Architecture: Experimental Sites of Knowledge Production (continuation course)

Decolonizing Architecture: Modernism and Demodernization

Materialities – Coordinates: Translating Form

Of Public Interest

Cecilia Vicuña, El Paro / The Strike, 2018, after the lost original 1977. Oil on linen. 54 x 63.5 x 1 inches. Courtesy of the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

Collective Practices Research Program

Architectural Conservation: We create the future, it shapes us